Deuil pathologique et destins de la féminité : le non-dit dans la nouvelle "Les Filles de feu le colonel" de Katherine Mansfield

Autori

  • Ana Irimescu Morariu Ecole Pratique des Hautes Etudes de Paris

Abstract

The short story The Daughters of the Late Colonel is at the same time very succinct and extremely rich in terms of the psychological analysis of its characters provided by Katherine Mansfield. In my paper, I would like to tackle the problem of the effects of the unspoken on the psychological process of subjectivation of two young girls in relation to a situation of pathological grieving. After their father’s death, the two sisters of this short story, Joséphine and Constance, found themselves all alone in a house which contains the traces of the colonel’s oppressive presence even after his demise. While they sometimes go as far as to doubt their father’s death because of their difficulty to come to terms with his disappearance, the two daughters mostly try to find a way to continue their lives. In order to do so, they finally dare to question some of the past events which highly influenced their family life but were never really discussed between its members because of their father’s formal interdiction. Such is especially the case with the colonel’s wife untimely death many years before which was most probably traumatic for the entire family to the point where it was impossible to put into words the experience of loss and pain that they must have felt. The hypothesis on which my paper is based consists in the idea that the pathological grieving of his wife by the colonel made it impossible to him to help his daughters develop their femininity. On the contrary, by his decisions to keep them close to him until his death, he indirectly forbade them to fulfill their destinies as well adjusted women. In this short story, Katherine Mansfield’s genius consists in her capacity to show how deep is the wound of having lost their mother for the two sisters, a wound that could never heal and which was reopened by the death of their father. This recent loss signifies for the two sisters that the secret of femininity which was not revealed to them by their mother because of her death was occulted by their father because of his inability to communicate with them and thus remained forever inaccessible to them.

Biografia autore

Ana Irimescu Morariu, Ecole Pratique des Hautes Etudes de Paris

Ana Irimescu Morariu est psychologue clinicienne diplômée de l’Université Paris 7 – Denis Diderot (Paris, France) et docteur en philosophie diplômé de l’École Pratique des Hautes Études (Paris, France). En 2015, elle a soutenu sa thèse de doctorat intitulée " L’intuition au Moyen Age et la théorie de la connaissance intuitive chez Jean Duns Scot ". En accord avec sa formation en psychologie clinique et psychanalyse, elle s’est orientée lors de ses études postdoctorales vers une approche pluridisciplinaire de ses domaines d’intérêt, qui vise l’application d’une clé d’interprétation philosophique et psychologique à la lecture des textes littéraires à l’aide des outils conceptuels inspirés de la psychanalyse. Sa manière originale de mettre en évidence des thèmes relevant de la psychopathologie (comme par exemple le deuil pathologique, le secret déstructurant pour le processus de subjectivation, la relation filiale marqué par l’absence, etc.) dans des textes littéraires remarquables pour leur qualité esthétique se nourrit d’une réflexion philosophique solide et rigoureuse destinée à enrichir l’interprétation littéraire et à décloisonner les domaines de recherches en sciences humaines.

Downloads

Pubblicato

15-09-2019

Come citare

Irimescu Morariu, A. (2019). Deuil pathologique et destins de la féminité : le non-dit dans la nouvelle "Les Filles de feu le colonel" de Katherine Mansfield. Elephant & Castle, (20). Recuperato da https://elephantandcastle.unibg.it/index.php/eac/article/view/329

Fascicolo

Sezione

Articoli