Socrates as Eros: the models of erastēs in Plato's Symposium
Keywords:
Plato's Symposium, Models of erastēs, Form of the Beauty, Philosopher-lover, Socrates-ErosAbstract
In the Symposium, Plato presents six speakers praising the god Eros and his impact on human life. In this essay, I propose that each speaker describes a particular model of erastēs or erōmenos, which directly corresponds to the speaker’s own social status and is present in Athens of the Vth and IVth B.C. At the banquet an unofficial contest unfolds among the speakers regarding the most prominent and superior model of erastēs in classical Athens. In Socrates’ speech, Plato introduces a new model of erastēs in the city, the philosopher-erastēs. Plato intends to demonstrate the superiority of the philosopher-erastēs in comparison to the other models of erastēs. As it becomes evident in Alcibiades’ speech, Socrates himself is the philosopher-erastēs in the city, who surpasses the other models of erastēs by implanting aporia in the Athenian people and leading them to self-consciousness through his philosophical logoi. In the conclusion of my essay, I argue that Plato’s intention in the Symposium is to present Socrates as the embodiment of Eros, who turns everyone into a lover of true Beauty and redirects them to their inner self.
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