Viewer Comprehension and Temporal Shifts in Hollywood Film

Authors

  • Kacie L. Armstrong
  • James E. Cutting

Abstract

The narrative conventions of film rely on temporal structural elements that, over the years, have shown gradual and significant stylistic shifts. Here, we investigate the evolution of film from the single shot scenes of the 1890s to the complex visual narratives that define modern Hollywood movies. We analyze the changing trends of film in terms of narrative shifts, with a special focus on how the editing conventions of intensified continuity have redefined the ways in which the temporal dimensions of film are understood by audiences. In particular, we draw conclusions about the viewing experience from a psychological perspective by proposing a relationship between intensified continuity and narrative immersion, and we outline the role that this relationship plays in the decline of many historical editing conventions.

Author Biographies

Kacie L. Armstrong

Kacie L. Armstrong è dottoranda al dipartimento di Psicologia alla Cornell University. Si occupa di percezione visiva, in particolare della struttura e comprensione dei film, della percezione del viso, e degli effetti del mood e dell'emozione sui processi visivi.

James E. Cutting

James E. Cutting è Susan Linn Sage Professor e preside del dipartimento di Psicologia alla Cornell University. È l'autore di Perception with an Eye for Motion (The MIT Press, 1986) e Impressionism and Its Canon (University Press of America, 2006), oltre che di più di centoquaranta articoli scientifici sulla forma, il movimento, la profondità, e altri argomenti legati alla percezione.

Published

31-03-2016

How to Cite

Armstrong, K. L., & Cutting, J. E. (2016). Viewer Comprehension and Temporal Shifts in Hollywood Film. Elephant & Castle, (14). Retrieved from https://elephantandcastle.unibg.it/index.php/eac/article/view/180