From theatrical excursions to international tours (from Mlle George to Sarah Bernhardt)

Abstract

By analysing the careers of specific performers, this article delves into the mobility of actors and its implications throughout the 19th century. The initial examination of actors' movements reveals that excursions maintained a political or even diplomatic function at the end of the 18th century, gradually evolving towards more aesthetic objectives during the 19th century. Subsequently, the study nuances this apparent artistic emulation, acknowledging its connection to promotional and advertising interests, which can often influence the reasons of these tours. The emergence of stardom, as exemplified through Sarah Bernhardt, brings forth new challenges associated with international tours. These challenges are fuelled by competition among the most prominent personalities on international stages, often relying on personal promotions that may occasionally overshadow the intention of fostering intercultural exchanges.