On certain serialities in contemporary French poetry

Jacques Ancet, Alain Suied, Christophe Tarkos

Authors

  • Fabio Scotto Università degli studi di Bergamo

DOI:

https://doi.org/10.62336/unibg.eac.32.519

Keywords:

Poetry, Jacques Ancet, Alain Suied, Christophe Tarkos, Seriality

Abstract

The article proposes a reflection about French contemporary poetry. After showing how Symbolism introduced a formal transgenericity that took poetry to the prose, he identifies some typologies of seriality belonging to the text’s titles or to the metrical and rhetorical organization of the language. The study finds in the work of three authors of the Second half of the 20th century some of the most typical forms of seriality. In Jacques Ancet’s poems, we can see an isostrophical and an isometrical seriality; in Alain Suied’s texts, a poematical seriality based on the anaphor; in Christophe Tarkos’ work a calligrammatical seriality using words and drawings in a geometrical way. But for some stylistic differences, these three poetics have a point of contact in spatial and temporal dimension which acts as a unifying element of the poetical voice.

Author Biography

Fabio Scotto, Università degli studi di Bergamo

Fabio Scotto was born in La Spezia (Italy) in 1959 and he is Full Professor of French Literature at the University of Bergamo. His main studies concern modern and contemporary French Poetry, short forms and the Theory and Practice of literary translation.  He authored the books Bernard Noël: il corpo del verbo (Crocetti, 1995), La voce spezzata. Il frammento poetico nella modernità francese (Donzelli, 2012), Il senso del suono. Traduzione poetica e ritmo (Donzelli, 2013), Le corps écrivant. Saggi sulla poesia francese contemporanea da Valéry a oggi (Rosenberg & Sellier, 2019). He translated Hugo, Vigny, Villiers de l’Isle-Adam, Apollinaire, Éluard, Noël, Bonnefoy.

Published

03-06-2024

How to Cite

Scotto, F. (2024). On certain serialities in contemporary French poetry : Jacques Ancet, Alain Suied, Christophe Tarkos. Elephant & Castle, (32), 216–225. https://doi.org/10.62336/unibg.eac.32.519