Dal paesaggio al territorio: eco-arti e stratificazioni di senso

Authors

  • Virginia Vannucchi Università degli Studi di Firenze

Keywords:

Eco-art, Landscape, Territory, Ecosophy, Anthropocene

Abstract

This paper investigates the transition from the notion of 'landscape' to that of 'territory' through the lens of contemporary eco-art practices. Starting from the critique of landscape as a compromised and exhausted genre, it explores how certain artistic interventions can reactivate its potential. Informed by Guattari’s ecosophical paradigm, the analysis focuses on the work of Emanuela Ascari, who conceives the soil as a living archive, and Irene Coppola, who interprets urban scars as palimpsests of memory. Within this framework, art emerges as an embodied practice of care that transforms the landscape from a mere vista into a field of forces and interdependencies, outlining an ethical-aesthetic model for new forms of coexistence between the human and the more-than-human.

Author Biography

Virginia Vannucchi, Università degli Studi di Firenze

Virginia Vannucchi is a Ph.D. candidate in History of Fine and Performing Arts at the University of Florence. Her research project, Defining Eco-Art: Experiences and Experimentations in Italy from 2000 to the Present, aims to map ecological art in Italy through a critical and contextual analysis of selected case studies. She spent a research period within the Art & Ecology research group at the Royal Academy of Fine Arts Antwerp. She holds a master’s degree in History of Art from the University of Florence and completed part of her graduate studies at Utrecht University. She is the author of the article Art in the Capitalocene from Awareness to Action: The Work of Marzia Migliora and Luigi Coppola (Edizioni Ca’ Foscari, 2024).

Published

15-12-2025

How to Cite

Vannucchi, V. (2025). Dal paesaggio al territorio: eco-arti e stratificazioni di senso. Elephant & Castle, (36), 74–85. Retrieved from https://elephantandcastle.unibg.it/index.php/eac/article/view/578