No. 27 (2022): Artists Animals

View No. 27 (2022): Artists Animals

edited by Elio Grazioli (Università degli Studi di Bergamo), Maria Elena Minuto (Université de Liège)

Published: 01-12-2022

Full Issue

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Editoriale

Artist's Animals. Between Abstraction, Figuration and Hybridization from the Late Twentieth Century to the Present

Elio Grazioli, Maria Elena Minuto
- PDF (Italiano)

Articoli

“Cet animal qui est plus qu’un animal, dans et après la forme...”: l’hybridité dans l’œuvre de Germaine Richier

Orane Stalpers
- PDF (Italiano)
Le retour de l’animal parlant. Réécriture d’une genèse scripturale dans les bestiaires performés de Julien Blaine de 1962 à aujourd'hui

Julia Raymond
- PDF (Italiano)
Franco Vaccari and animal automatism

Valentina Rossi
- PDF (Italiano)
Shepherding flocks of woodworm: Gianfranco Baruchello and the breeding of anubids

Gianlorenzo Chiaraluce
- PDF (Italiano)
Snails and other artist's animals: the role of the author in Joan Fontcuberta's work

Camilla Federica Ferrario
- PDF (Italiano)
Simone Forti's "Planet" (1976): performative "morphing" between inter-species dialogue and ecology

Francesca Pola
- PDF (Italiano)
Fashion calls art: the icon and performance

Fabiano Fabbri
- PDF (Italiano)
Chris Marker’s “Petit Bestiaire”: A Cinema Essay

Rosemary O'Neill
- PDF (Italiano)
Notes for a feminist bestiary. Clemen Parrocchetti artist beyond the becoming-animal

Caterina Iaquinta
- PDF (Italiano)
Restoring the animal order: rituals and boundaries from Bruce Nauman to Matthew Barney

Luca Bochicchio
- PDF (Italiano)
Extinction and resurrection: Marguerite Humeau's animals, between myth and science

Marie-Laure Delaporte
- PDF (Italiano)

Studi e Ricerche

"I was, without realising it, extremely sensitive to the beauty of landscapes'. Bergamo and the imagery of pleasant places in the young Stendhal

Francesca Pagani
- PDF (Italiano)