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  3. No. 17 (2017): The Fake

No. 17 (2017): The Fake

					View No. 17 (2017): The Fake

edited by Eleonora Caccia (Università degli Studi di Bergamo)

Published: 01-11-2017

Editoriale

  • Editor's Note

    Eleonora Caccia

Articoli

  • 'Contrefact', 'contrafact', 'contrafactum' (14th-15th centuries): falsification, imitation, parody

    Thomas Persico
    • PDF (Italiano)
  • Forgery and Epigraphic Interests. A journey through texts and images from the humanistic-Renaissance period

    Eleonora Caccia
    • PDF (Italiano)
  • l falso Méliès. Notes on the debate on the restoration of the 'Voyage dans la lune' in colour

    Raffaele Pavoni
    • PDF (Italiano)
  • Beyond the true and the false. On the reality/image relationship in the 'world movies' genre

    Giuseppe Previtali
    • PDF (Italiano)
  • "Is it possible for someone to commit a forgery against himself?" The status of authenticity in human experience beyond the categories of original and derivative: the problem of false memories

    Darwine Delvecchio
    • PDF (Italiano)
  • Images in power: Flusser and the Timișoara fake

    Francesco Restuccia
    • PDF (Italiano)
  • Stranger than fiction. Falsehood and fiction in the age of augmented reality

    Anna Montebugnoli
    • PDF (Italiano)
  • A precarious world poised between truth and lies

    Matteo Bianchi
    • PDF (Italiano)

Studi e Ricerche

  • The Modernity of Middle English Manuscripts. A Multimodal Investigation

    Patrizia Anesa, Ilaria Fornasini
    • PDF (Italiano)

Lista dei revisori

  • List of reviewers 2017

    Elephant & Castle

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ISSN 1826-6118 | Elephant & Castle. Laboratorio dell'immaginario

Università degli studi di Bergamo
Palazzo Bassi Rathgeb, Via Pignolo 76
24129 Bergamo

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