First movement. Action

Authors

  • Fabio Cleto Università degli studi di Bergamo
  • Stefania Consonni Università degli studi di Bergamo

Keywords:

Movement, Generations, History, Narration, Transformation

Abstract

Movement is a space-time metaphor without which our visual and linguistic culture would barely be imaginable. Functionality, dynamism, change and relationality are just some of the facets that the notion of movement encodes in our material, symbolic and social existence. But think, also, of displacement, motility, emotionality; socio-political mobilisations and socio-cultural changes; creative and artistic manifestos; forms of architectural, plastic, musical, cinematographic, and geometric language; figures of semiotics, textuality and critical theory; chains, paths, trajectories, manoeuvres of signs, codes and representations. All these movements testify to the vitality of humankind’s experiential, communicative and creative processes. In the first of three issues devoted to this nexus of relationships, we deal with Generations, Stories, Transformations. From a socio-historical standpoint, we look at how experiential realities may take on a specific generational semantic form, thus transforming cohorts of people into communities of memory and meaning, materialising existence in terms of tension, antagonism, transmission and difference among individual stories, collective memories and cultural imaginations.

Author Biographies

Fabio Cleto, Università degli studi di Bergamo

Fabio Cleto is Full Professor of English Literature and Cultural History at the University of Bergamo. An authority on the theory and practice of camp, on which he published three books (ed., Camp: Queer Aesthetics and the Performing Subject, 1999; Per una definizione del discorso camp, 2006; PopCamp, 2008), his research interests include gender and sexuality, visual and transmedia culture, and the politics of representation. He has published books on nineteenth-century literary dissidence (Percorsi del dissenso nel secondo Ottocento britannico, 2001), on the mid-Sixties transatlantic economy of “pop secrecy” (Intrigo internazionale. Pop, chic, spie degli anni Sessanta, 2013), on the obscenity of the Noughties (Fuori scena. Gli ani Zero e l’economia dell’osceno, 2014) and on TV series (ed., Tempo di serie. La temporalità nella narrazione seriale, 2018). He has written for cinema, television, newspapers and the web; he has also edited academic book series and directed cultural festivals. In 2019, his work inspired the Camp: Notes on Fashion exhibition at the Metropolitan Museum of Art in New York.

Stefania Consonni, Università degli studi di Bergamo

Stefania Consonni is an associate professor of English Language and Linguistics at the University of Bergamo. She has published books and articles on textual paradigms; narratology; metadiscourse; the semiotics of visual vs. verbal language; resemiotization and multimodality; history and theory of spatialization; history and theory of the novel; specialized communication in a discourse-analytical and culturalist perspective; semiotics, pragmatics and epistemology of traditional and new genres within academic, aesthetic, literary, scientific, entertainment and media discourse. A member of the CERLIS Research Centre and the Eye Tracking Lab team (both based in Bergamo), as well as of the CLAVIER-Corpus and Language Variation in English Research consortium, she is on the editorial board of JCaDS-Journal of Corpora and Discourse Studies (University of Cardiff), the CERLIS Series and Ibérica (European Association of Languages for Specific Purposes).

Published

15-11-2023

How to Cite

Cleto, F., & Consonni, S. (2023). First movement. Action. Elephant & Castle, (30), 2–15. Retrieved from https://elephantandcastle.unibg.it/index.php/eac/article/view/459